The ‘Realit to Reacher’ Project provides a platform for community storytelling

A new project from Media 2070 has just launched online, offering the opportunity to appreciate public voices and ideas in the media and to narrate in real time. The newly launched “Reparative Journation Reginal Archive” offers a space to retell stories. It also preserves experiences from various installations and cultural performances such as Black Furtaltanty.

Developed in collaboration with USC’s Charlotta Bass Hally and the Justice Lab, “Remedial riots: social media archives and narratives” is the first entry into the new platform.

“This history is a powerful way to get to great voices that are often overlooked and left out of the historical narrative,” said Daima Hardeman, director of pre-narrative and narrative strategy. “Many residents and local planners are covered in a way that cannot be seen in the mainstream media.”

According to the site, “violence to fix” includes interviews with USC reporters and interviews with more than 70 community members about their experiences of citizenship in 2020. The interviews reflect the practice of “recursive journalism that confronts mainstream narratives and re-acknowledges their place in history.” The organizers hope to move the usual narrative space from ordinary places and companies to a higher one and prioritize voices from influential communities.

As the news reported in May, the criminal to fix the show in Los Angeles offered “to return five years to the uprising caused by the police killing of George Floyd.” As part of the dark future experience, attendees presented a virtual reality experience that included examples of return policies.

Identifying common journalistic tropes has been a fundamental task of the Media 2070 project and its home base, press free. In May, as the Media 2070 Team revealed the “remedial installation” installation “in Los Angeles, the New Press ‘voices Project supported the launch of the Code of Conduct for reporting in Philadelphia. The code of conduct and the broader work of Philadelphia to protect journalism

“Status-quo journalism standards were never created with black and brown communities in mind,” said Cassie Owens, New Philadelphia Program Manager, in a statement. “This recognizes that reality – and drives to create new cultures of care, precision, and accountability for public safety that focuses on our communities’ businesses, voices, and futures.”

Both of these projects are part of a broader need for care and community when it covers black and other privileged groups.

“We want a sweeping change across the industry instead of a few planners taking on this role,” Owens said. “We know that won’t lead to lasting change, and we want a planned return.”

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