With more than ten years of evolution under their belt, Bristol-electronic Actiefit Ramona Flowers He hugs the sounds that explode lines between limited fields of the stadium and Synth night.
Known for their sound hooks, slick production, and cinematic power, band Return today (October 10th) with their fourth album, ‘Made people’ – a valid record in deeply personal, and sonically.
The Disco, Funk and Indie Flavors with green lyricism, the 13-track collection captures a conflict of today’s health – communication, technology and intimacy, personality and machine. It is the topic of a speaking article: The Memorial that after all digital Hit and open melody are real feelings, real news, and, real people.
We sat down with band members Tech, While still, Dave including -Waxed by Discussing the creative process of ‘man-made’, how their sound is cooked from their shape, and what it means to stay in a person in the old digital world.
Members, ‘Made people’ We’re in our end! Despite this is your fourth’s fourth album, does it stop the stability of a new music?
Sam: It can be, but maybe not bad because honesty, I keep forgetting out! But it’s fun, it’s really fun. We worked hard on the album for a long time now, so I’m just happy to be finally issued.
Steve: Yes, a good sense knows that it’s finished and everyone can hear that. I feel like we’ve created a real body of work in this case, so I am happy to see what people think about something new.
What does the title of LPS, tie album pictures?
Steve: The theme shows the fact that songs on this album are affecting real lessons, so that everyone passes by, and only people can find. In the Ai, he felt the right title.
Sam: Stresses the fact that we are a real covenant. We’re a nearby tender. We’ve done everything. We went, playing all shit-hole hole, and we learned how good I am. We were looking for the album to show that we were a real Bible, writes real songs, playing real weights, and only a real covenant, and only people can do that.
Are there any feelings, news, or real world events you have felt forced?
Steve: I think we wanted to do what we do so, and that writes music that shows our own experience, as well as how we view the world in the present situation. In my opinion, I passed through many things during this album – with some problems of addiction, and I had a baby, so I wanted to make sure I had dealt with such songs.
What tracks do you feel most personal personally?
Steve: I said that ‘my father’s song’ because that is about my daughter.
Sam: To me that it should be ‘the summer that is’ this kind’ because some songs are inspired by my relationship.
Dave: I like all the songs in the album. It’s like you have children, you can’t choose your favorite.
Ed: If I had to choose one, then it would ‘mirrors in Morsion’. It is difficult to choose your favorite or a song that hears a person’s own, because everything affects you in different ways. Steve was open and threatened in the album, and after her marriage mate was long, I became very concerned, and I was motivated by everything she wrote.
Ramana Flowers – Sunglasses in Msion (Lyric Video)
Are there any tracks you most enjoyed playing live, and how do you translate into the stage without difficulties?
Dave: The difficulty of being a practical name (laughter).
Steve: Yes, it’s hard for me to reply as I can’t do anything by putting our live shows together (laughter).
Ed: It’s hard, I can’t pretend not. Fortunately, we also work with the greatest people who help us to do everything.
Sam: When we write a song, it does not mean we think how we will bring life to live. We just write and produce our music as far as we can, and it is just found to say: “How will we live?”
Ed: We all wrote with our ideas on the table in the album. We never did that before. So when it comes to practice live, I think that each one else put our stamp on songs and see how it sounds.
Sam: Ed wrote Guitar Solo on ‘glass glasses’, and it sounds sound. But like a drum is really difficult to comply. So I know when we play as I would think: “I will find this tonight?”
Ed: There is a moment in one of the tracks Sam America called ‘Dad’s Sins’ – You have this wonderful rhythm, but it is difficult to be filled when you are a Drummer or Base player. One of our friends played a bass on it when we recorded, and he almost had a crack trying to do it right! He had to take a minute later, and go and find someone to have a conversation with her!
Sam: After recording, I remember the producer and tried to understand you and what was “What did you do?” And he told me to make some changes because he sounded aisy, but I was like “No is the whole point, it’s amazing!” So we turned it back. However, the problem we have now, everyone is hard to play life (laugh).
Like the integration, you would not know the type of record you wanted to make this time?
Steve: Starting at the beginning, no. I think we were happy to just try and see that we came with that. Then we wrote a song called ‘up the whole night’, and that kind of album stone. I would say that all the assets we have written afterward came from the villagers we find in that particular subject.
Sam: I think we know that though we wanted the album to be the best? We wanted songs to disturb a little, and enjoy it.
How can you say that your songwriter process has appeared from your previous albums?
Ed: Yes, I said that my routine came to be completely out of course because I actually wrote the songs now (laugh).
Sam: You were always involved in it but – especially in the event of planning rhythms and drums. But yes, good now because everyone is more writing about it and spreads a little responsibility.
Ed: I think everyone trusted more than what they were doing. And because we know each other so long, so much comfortable for these difficult discussions that will require to have. We have the best shellshit filter now that is sure!
Steve: Yes, if something is not good enough, we just say … wise as much as possible, we don’t want to hurt anyone intentionally. In the past I think we let certain things grow longer than what was right because we were not loyal to each other as it is now.
Your sound usually includes cinematic objects, electronic and indie rock rock. Did you press those innocations in any new ways in this text?
Ed: We never plan to do anything like that. We simply write the music we want to do.
Sam: We started the Indie Band, and converted and checked the many electrical sounds. We are now successful and return to being a real team. But all that changes as we grow and appear.
Is there any noises or unexpected metals you first exercise?
Ed: Our producer brought a few older synths one day, all of us enjoyed trying.
Sam: You’ll OFTEN Find That Anytime You’re in a studio, You’ll tinting Something and Think: “Let’s Play Around With”, and Yeally a synth (Laughs).
Dave: It is funny how different sounds and ideas can be seen outside the place. Sam carried his guitar down during the session, and the manufacturer recorded his noise because he created this unique rhythm. When he played back to us, the same as “what that sound is, it sounds amazing?” We actually ended up taking it from one of the tracks.
Sam: And then there is a sample of disappearing at the door (laugh) and find that the keys are always mentioned when the door is hit, and it sounds epic. So we recorded it and used it as one of Downbeats.
How do you see ‘Made people’ Putting your future noise class and projects?
Ed: I think because it’s taken so long in writing and together, some songs, maybe three months ago, and it was written that they were, and who was now. I am very happy to see how we change from the next to be honest.
Sam: I feel like we’ve created a truly powerful foundation. We will surely find our sound as Rambana flowers now, and this album strengthens that.
How will you listeners trust and how will you contact new things?
Steve: Obviously we want everyone to love and enjoy us. But again, I want people to understand the songs, and hear the news that we tell them how they can talk about what they are doing in their lives.
Sam: I want people to listen to the whole album, from the beginning to the end. It is concerned that people do not look bought albums, so they never hear the impact of the full work. I think that’s a shame. There are some good songs in the album, especially the dreads, so hopefully people take time to listen to all the record and not just songs.
Download / distribution ‘Made people’ here
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