Iwan rhon speaks in writing by phone, satire, space and sound of his new album

Ten years may have passed between the albums, but Iwan Rhon truly left the creative cycle. The worldwide audience is well-known as Olivier-Winning Stage Access Citutorator and Antaxetectable Ramsay Bolton Game of ThronesRhion music return is not marked by Fanfare – but about something interesting.

Now, his second long long album for a while, I just wish I would never go to the atmosphere (Out now by unpleasant recording), lands with dry, dark black wils. It is not returning – continuing, sorted over time, experience, experience, Ebolate, and division, and human defects.

The billionaire in orbit

The Holy Single, “Hashtag,” Starts the album with satirical bites – sharp, punchy, and in a pointer in today’s country. Set against Pop-Rock Pop-Rock, reflects the Tech Billionaire inadequate for the space, her mindless wealth in the void.

“I was watching Tech Tech Billionaire Rocket on foot,” Dien Rheon said. “And I was remembered, something about the laws of the Newton Movation – where it lives, where an open thing is

The image made fun of him: someone with unthinkable treasures, suddenly. “I just thought that the Llionaire flowed all around, all his wealth on the earth is not employed, and you wish he would never walk in space.” The absence attacks the senses. That vision was sticking, and he appeared to be on the ground, and eventually wept at risk he gave the album.

Writing from marks

However I just wish I would never go to the atmosphere comes about ten years after GuardianIwan Rhon never stopped writing honestly. He shows: “I never really planned to have a great htitus,” he shows. “Just a kind of way of things. The passages came.” But as the Scriptures were previously taken, the music has never disappeared – simply moving to the marines. In the last five years, translation into a quiet, steady rhythm, until the creative construction would not be neglected.

“It comes to the point where you just need to get music outside, otherwise you’re living in your head. And that’s not healthy,” she said. Finally, returning to the studio felt unavoidable – and we are welcome. “It was fun to get back to the studio and record new tunes.”

Songs that lived, songs that did not

Nevertheless, not all of the texts during that time found a place in the last list of the Track. A few songs, built during the accompanying breakup, are conscientious. “There are a few people who didn’t wish I wanted it to look in the album because I think much had been changed since then, and I wanted to do something very better and worthy now,” explains.

Some remains – “flu” and the “Party” especially carrying echoes for such a previous chapter, though those into different shorts. He adds: “The latter is a really old song, but he felt right,” he adds. The result is the album designed for the previous one without being defined by it. No, this is not a breakup album; It is a further subtle. You are struck by the silent conversion, the change in which you go.

Navigation of space: Sound and Cooperation

Compensity in collaboration with Chris Hynson and including Welsh Twin Lloyd musicians and Alex Haines, I just wish I would never go to the atmosphere It is a variety of a variety of work-related form. From satire in Buma “Hashtag” to swollen swollen swelling “motion,” the albums between the uncleanness and intimacy, without distorting from their emotional cavity. “The sound came together in the room,” recalls Rhon. Almost every track- “all except ‘Agor'” – was already written before entering the studio.

Natural activity, in the sense of music and musical distribution. “Chris we discussed many indications, bands and artists you like.” It is a reality, emotional differences. “Signs and themes.”

Welsh, inside

Two tracks- “Agor” and “y Gwanen” -Bcina project in Welsh, includes a project in Rheon Heritage and has provided a quiet, emotional release. “Welsh will definitely give me different freedom in writing,” shares.

“It’s like reaching my different part.” Although he did not plan “Agor” to become two languages – or open the record – once completed, it is simply heard on the right. He adds: “It sounded like a perfect opening.” Y Whenny, “on the other hand, it was always set to bring album gently.

Character vs

Although most of the album feels closer, Rhoon is an amazing issue with “Hashtag” – Bite, Saterical Track is shown with the Heach Billionaire Personaire. It is a common time to tell stories that characterize the character, and one provides an unexpected creation. “It’s something I can really do often, write in a different character’s opinion,” he agrees.

“So it is the grace of deliverance to the way you are looking for the situation from the outside. But I think it is really helpful of it, to write the first person.” However, no character has ever been completely different. “It will not be possible to say that there are no things for my own experience within it.”

The risk of creative control

What does I just wish I would never go to the atmosphere The land with such clarity is the manner in hand. Iwan Rhon was not just the Word or face of the album – he was largely in every decision, in songbooks and arranged for producing itself. He says: “There is nowhere to hide,” he said, agreed to be in deep danger. “But I think that gives you strength.”

With Rhion, music is like a product as a product – a rare space where someone else’s opinion is, as they often do on the screen, but directs the entire creative ship. He says: “Being creative is very important to me.” I really enjoy the album build.

From Ramsay to ‘men up’: To navigate the roles

On the screen, Iwan Rhon continues to go through the borrowing between different countries. With the grace of BBC, men ‘go up to’ chaos and bloodies’ people will die “, pulling down certain visceral riddles.

What Guides His Definitions? Quiet, inner click.

He explains: “You read a scripture with an exciting character, and then naturally, to think about how to play the role – and that is always a good sign.” There is little formula than the recognition of the stomach, long-term and unpredictable screen.

RAMSAY BOLTON: Westros ghosts

Of course, for many, Iwan Rhon will remain remembered as a Ramsay Bolton – Cruel, the sadness of the sad ‘game of seats’, which was one of the most horrible television figures. It is an inheritance that carry without letting it save. “I try not to take the characters at home. I think it’s very important to leave them in the room,” he said. “I used to be good and do that. Just playing.”

When asked Ramsay was not well-understood, it was not a voutcoat it: “You are not sure that there is more to understand. He was a very bad boy.” It is spoken of a long person since he makes peace with ghosts of Westros.

Peace between projects

However, often weighing unusual weights when the project is over, not quite behavior, but something difficult to explain. “The General General character is a type of character that may remain,” Rhome admits, “but I think of work is often often a commitment, focus, focus, and the ability to come in to build something.”

When that rapidly decreases, it leaves empty averoviov. “It always is a little surprising when you no longer do,” you add, this matter – evidently. This is where the music comes – not fleeing, but like tether. “It is a good way to stay when I’m not in the set.”

Alone, peace and song

Unlike something, explaining “a small part of something too much … Cog on a big machine,” music offers the Rheon for a person’s own and supported. “You went in, when a lot of work has already went to that section. Then when I gradually finish, it is full of responsibility to complete the project.”

On the contrary, telephone writing is the full circuit process – start completing, more soul. He says: “It is one creative concept that I am a part of them from beginning to finish,” he said. “I enjoy the complete complete control.”

In reducing peace between the texts and times, Rheon felt easily. There is no obvious, no fertile, the world just like it. “I like to go around the jungle or on the Cliff side or anything,” she shares, almost lessen. “Making music is actually one of my favorite things. Even just living alone in the room playing a guitar.” There is peace of this. In a soft cut of being alone with noise. Or, sometimes, not on my own. “Engaging in friends, family,” he adds. That’s also, enough.

Album is the audience now

Now that “I just wish I would never go to the atmosphere” I finally come out worldwide, circulating headphones of headphones-Iyan rhon-keeps back. He says: “I’m really happy to do that.” And I hope people can sit and enjoy something from it, whatever may. ”

You suggest in future live jobs. “Some shows can be good. We made a few tunes in a living program for a few months back to get rid of – and let’s look in everything else.” In the meantime, the album is for the audience.

And maybe, somewhere, even a silely billionaive listening to the orbit. Hurrying to Come!

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